2024-06-30

Neil MacGregor | Speaker | TED

Neil MacGregor | Speaker | TED

TED Speaker
TED Attendee

Neil MacGregor
Director of The British Museum
Home: britishmuseum.org Web: A History of the World ...
TED Speaker
Personal profile
The writer and presenter of the BBC Radio 4 series "A History of the World in 100 Objects" and the accompanying book.

Why you should listen

Established by Act of Parliament in 1753 as a museum for the world (and free to enter, down to this day), the British Museum has built a near-encyclopedic collection of art and artifacts representing the sweep of human history across 2 million years. In his 2010 radio series A History of the World in 100 Objects (accompanied by a splendid book with the same title), director Neil MacGregor showed how the artifacts and items we collect are a powerful tool for sharing our shared human narrative.

MacGregor has long been fascinated with the way museums can tell the world's story. At the British Museum, he's negotiated his way to mounting shows full of Chinese and Persian treasures, helping sometimes-prickly governments to share his mission of cultural togetherness. He was named Briton of the Year in 2008 by the Sunday Times, who said, "He is a committed idealist who, in a world in which culture is increasingly presented as the acceptable face of politics, has pioneered a broader, more open, more peaceable way forward."

He says: "That’s what the museum is about: giving people their place in things.”


What others say

“[100 Objects is] a project that, I suspect, may prove a watershed in the way museums and galleries work with the public.” — Charlotte Higgins, the Guardian

Neil MacGregor’s TED talk
19:37

Neil MacGregor
2600 years of history in one object
Posted Feb 2012



English

00:03
There's a poem written by a very famous English poet at the end of the 19th century. It was said to echo in Churchill's brain in the 1930s. And the poem goes: "On the idle hill of summer, lazy with the flow of streams, hark I hear a distant drummer, drumming like a sound in dreams, far and near and low and louder on the roads of earth go by, dear to friend and food to powder, soldiers marching, soon to die." Those who are interested in poetry, the poem is "A Shropshire Lad" written by A.E. Housman.

00:39
But what Housman understood, and you hear it in the symphonies of Nielsen too, was that the long, hot, silvan summers of stability of the 19th century were coming to a close, and that we were about to move into one of those terrifying periods of history when power changes. And these are always periods, ladies and gentlemen, accompanied by turbulence, and all too often by blood.

01:06
And my message for you is that I believe we are condemned, if you like, to live at just one of those moments in history when the gimbals upon which the established order of power is beginning to change and the new look of the world, the new powers that exist in the world, are beginning to take form. And these are -- and we see it very clearly today -- nearly always highly turbulent times, highly difficult times, and all too often very bloody times. By the way, it happens about once every century.

01:36
You might argue that the last time it happened -- and that's what Housman felt coming and what Churchill felt too -- was that when power passed from the old nations, the old powers of Europe, across the Atlantic to the new emerging power of the United States of America -- the beginning of the American century. And of course, into the vacuum where the too-old European powers used to be were played the two bloody catastrophes of the last century -- the one in the first part and the one in the second part: the two great World Wars. Mao Zedong used to refer to them as the European civil wars, and it's probably a more accurate way of describing them.

02:11
Well, ladies and gentlemen, we live at one of those times. But for us, I want to talk about three factors today. And the first of these, the first two of these, is about a shift in power. And the second is about some new dimension which I want to refer to, which has never quite happened in the way it's happening now. But let's talk about the shifts of power that are occurring to the world. And what is happening today is, in one sense, frightening because it's never happened before. We have seen lateral shifts of power -- the power of Greece passed to Rome and the power shifts that occurred during the European civilizations -- but we are seeing something slightly different. For power is not just moving laterally from nation to nation. It's also moving vertically.

02:57
What's happening today is that the power that was encased, held to accountability, held to the rule of law, within the institution of the nation state has now migrated in very large measure onto the global stage. The globalization of power -- we talk about the globalization of markets, but actually it's the globalization of real power. And where, at the nation state level that power is held to accountability subject to the rule of law, on the international stage it is not. The international stage and the global stage where power now resides: the power of the Internet, the power of the satellite broadcasters, the power of the money changers -- this vast money-go-round that circulates now 32 times the amount of money necessary for the trade it's supposed to be there to finance -- the money changers, if you like, the financial speculators that have brought us all to our knees quite recently, the power of the multinational corporations now developing budgets often bigger than medium-sized countries. These live in a global space which is largely unregulated, not subject to the rule of law, and in which people may act free of constraint.

04:07
Now that suits the powerful up to a moment. It's always suitable for those who have the most power to operate in spaces without constraint, but the lesson of history is that, sooner or later, unregulated space -- space not subject to the rule of law -- becomes populated, not just by the things you wanted -- international trade, the Internet, etc. -- but also by the things you don't want -- international criminality, international terrorism. The revelation of 9/11 is that even if you are the most powerful nation on earth, nevertheless, those who inhabit that space can attack you even in your most iconic of cities one bright September morning. It's said that something like 60 percent of the four million dollars that was taken to fund 9/11 actually passed through the institutions of the Twin Towers which 9/11 destroyed. You see, our enemies also use this space -- the space of mass travel, the Internet, satellite broadcasters -- to be able to get around their poison, which is about destroying our systems and our ways.

05:12
Sooner or later, sooner or later, the rule of history is that where power goes governance must follow. And if it is therefore the case, as I believe it is, that one of the phenomenon of our time is the globalization of power, then it follows that one of the challenges of our time is to bring governance to the global space. And I believe that the decades ahead of us now will be to a greater or lesser extent turbulent the more or less we are able to achieve that aim: to bring governance to the global space.

05:47
Now notice, I'm not talking about government. I'm not talking about setting up some global democratic institution. My own view, by the way, ladies and gentlemen, is that this is unlikely to be done by spawning more U.N. institutions. If we didn't have the U.N., we'd have to invent it. The world needs an international forum. It needs a means by which you can legitimize international action. But when it comes to governance of the global space, my guess is this won't happen through the creation of more U.N. institutions. It will actually happen by the powerful coming together and making treaty-based systems, treaty-based agreements, to govern that global space.

06:24
And if you look, you can see them happening, already beginning to emerge. The World Trade Organization: treaty-based organization, entirely treaty-based, and yet, powerful enough to hold even the most powerful, the United States, to account if necessary. Kyoto: the beginnings of struggling to create a treaty-based organization. The G20: we know now that we have to put together an institution which is capable of bringing governance to that financial space for financial speculation. And that's what the G20 is, a treaty-based institution.

06:53
Now there's a problem there, and we'll come back to it in a minute, which is that if you bring the most powerful together to make the rules in treaty-based institutions, to fill that governance space, then what happens to the weak who are left out? And that's a big problem, and we'll return to it in just a second.

07:12
So there's my first message, that if you are to pass through these turbulent times more or less turbulently, then our success in doing that will in large measure depend on our capacity to bring sensible governance to the global space. And watch that beginning to happen. My second point is, and I know I don't have to talk to an audience like this about such a thing, but power is not just shifting vertically, it's also shifting horizontally.

07:42
You might argue that the story, the history of civilizations, has been civilizations gathered around seas -- with the first ones around the Mediterranean, the more recent ones in the ascendents of Western power around the Atlantic. Well it seems to me that we're now seeing a fundamental shift of power, broadly speaking, away from nations gathered around the Atlantic [seaboard] to the nations gathered around the Pacific rim. Now that begins with economic power, but that's the way it always begins. You already begin to see the development of foreign policies, the augmentation of military budgets occurring in the other growing powers in the world. I think actually this is not so much a shift from the West to the East; something different is happening.

08:23
My guess is, for what it's worth, is that the United States will remain the most powerful nation on earth for the next 10 years, 15, but the context in which she holds her power has now radically altered; it has radically changed. We are coming out of 50 years, most unusual years, of history in which we have had a totally mono-polar world, in which every compass needle for or against has to be referenced by its position to Washington -- a world bestrode by a single colossus. But that's not a usual case in history. In fact, what's now emerging is the much more normal case of history. You're beginning to see the emergence of a multi-polar world.

09:06
Up until now, the United States has been the dominant feature of our world. They will remain the most powerful nation, but they will be the most powerful nation in an increasingly multi-polar world. And you begin to see the alternative centers of power building up -- in China, of course, though my own guess is that China's ascent to greatness is not smooth. It's going to be quite grumpy as China begins to democratize her society after liberalizing her economy. But that's a subject of a different discussion. You see India, you see Brazil. You see increasingly that the world now looks actually, for us Europeans, much more like Europe in the 19th century.

09:44
Europe in the 19th century: a great British foreign secretary, Lord Canning, used to describe it as the "European concert of powers." There was a balance, a five-sided balance. Britain always played to the balance. If Paris got together with Berlin, Britain got together with Vienna and Rome to provide a counterbalance. Now notice, in a period which is dominated by a mono-polar world, you have fixed alliances -- NATO, the Warsaw Pact. A fixed polarity of power means fixed alliances. But a multiple polarity of power means shifting and changing alliances. And that's the world we're coming into, in which we will increasingly see that our alliances are not fixed. Canning, the great British foreign secretary once said, "Britain has a common interest, but no common allies." And we will see increasingly that even we in the West will reach out, have to reach out, beyond the cozy circle of the Atlantic powers to make alliances with others if we want to get things done in the world.

10:42
Note, that when we went into Libya, it was not good enough for the West to do it alone; we had to bring others in. We had to bring, in this case, the Arab League in. My guess is Iraq and Afghanistan are the last times when the West has tried to do it themselves, and we haven't succeeded. My guess is that we're reaching the beginning of the end of 400 years -- I say 400 years because it's the end of the Ottoman Empire -- of the hegemony of Western power, Western institutions and Western values. You know, up until now, if the West got its act together, it could propose and dispose in every corner of the world. But that's no longer true. Take the last financial crisis after the Second World War. The West got together -- the Bretton Woods Institution, World Bank, International Monetary Fund -- the problem solved. Now we have to call in others. Now we have to create the G20. Now we have to reach beyond the cozy circle of our Western friends.

11:40
Let me make a prediction for you, which is probably even more startling. I suspect we are now reaching the end of 400 years when Western power was enough. People say to me, "The Chinese, of course, they'll never get themselves involved in peace-making, multilateral peace-making around the world." Oh yes? Why not? How many Chinese troops are serving under the blue beret, serving under the blue flag, serving under the U.N. command in the world today? 3,700. How many Americans? 11. What is the largest naval contingent tackling the issue of Somali pirates? The Chinese naval contingent. Of course they are, they are a mercantilist nation. They want to keep the sea lanes open. Increasingly, we are going to have to do business with people with whom we do not share values, but with whom, for the moment, we share common interests. It's a whole new different way of looking at the world that is now emerging.

12:36
And here's the third factor, which is totally different. Today in our modern world, because of the Internet, because of the kinds of things people have been talking about here, everything is connected to everything. We are now interdependent. We are now interlocked, as nations, as individuals, in a way which has never been the case before, never been the case before. The interrelationship of nations, well it's always existed. Diplomacy is about managing the interrelationship of nations. But now we are intimately locked together. You get swine flu in Mexico, it's a problem for Charles de Gaulle Airport 24 hours later. Lehman Brothers goes down, the whole lot collapses. There are fires in the steppes of Russia, food riots in Africa.

13:26
We are all now deeply, deeply, deeply interconnected. And what that means is the idea of a nation state acting alone, not connected with others, not working with others, is no longer a viable proposition. Because the actions of a nation state are neither confined to itself, nor is it sufficient for the nation state itself to control its own territory, because the effects outside the nation state are now beginning to affect what happens inside them.

13:58
I was a young soldier in the last of the small empire wars of Britain. At that time, the defense of my country was about one thing and one thing only: how strong was our army, how strong was our air force, how strong was our navy and how strong were our allies. That was when the enemy was outside the walls. Now the enemy is inside the walls. Now if I want to talk about the defense of my country, I have to speak to the Minister of Health because pandemic disease is a threat to my security, I have to speak to the Minister of Agriculture because food security is a threat to my security, I have to speak to the Minister of Industry because the fragility of our hi-tech infrastructure is now a point of attack for our enemies -- as we see from cyber warfare -- I have to speak to the Minister of Home Affairs because who has entered my country, who lives in that terraced house in that inner city has a direct effect on what happens in my country -- as we in London saw in the 7/7 bombings. It's no longer the case that the security of a country is simply a matter for its soldiers and its ministry of defense. It's its capacity to lock together its institutions.

15:04
And this tells you something very important. It tells you that, in fact, our governments, vertically constructed, constructed on the economic model of the Industrial Revolution -- vertical hierarchy, specialization of tasks, command structures -- have got the wrong structures completely. You in business know that the paradigm structure of our time, ladies and gentlemen, is the network. It's your capacity to network that matters, both within your governments and externally.

15:32
So here is Ashdown's third law. By the way, don't ask me about Ashdown's first law and second law because I haven't invented those yet; it always sounds better if there's a third law, doesn't it? Ashdown's third law is that in the modern age, where everything is connected to everything, the most important thing about what you can do is what you can do with others. The most important bit about your structure -- whether you're a government, whether you're an army regiment, whether you're a business -- is your docking points, your interconnectors, your capacity to network with others. You understand that in industry; governments don't.

16:06
But now one final thing. If it is the case, ladies and gentlemen -- and it is -- that we are now locked together in a way that has never been quite the same before, then it's also the case that we share a destiny with each other. Suddenly and for the very first time, collective defense, the thing that has dominated us as the concept of securing our nations, is no longer enough. It used to be the case that if my tribe was more powerful than their tribe, I was safe; if my country was more powerful than their country, I was safe; my alliance, like NATO, was more powerful than their alliance, I was safe. It is no longer the case. The advent of the interconnectedness and of the weapons of mass destruction means that, increasingly, I share a destiny with my enemy.

16:50
When I was a diplomat negotiating the disarmament treaties with the Soviet Union in Geneva in the 1970s, we succeeded because we understood we shared a destiny with them. Collective security is not enough. Peace has come to Northern Ireland because both sides realized that the zero-sum game couldn't work. They shared a destiny with their enemies. One of the great barriers to peace in the Middle East is that both sides, both Israel and, I think, the Palestinians, do not understand that they share a collective destiny. And so suddenly, ladies and gentlemen, what has been the proposition of visionaries and poets down the ages becomes something we have to take seriously as a matter of public policy.

17:33
I started with a poem, I'll end with one. The great poem of John Donne's. "Send not for whom the bell tolls." The poem is called "No Man is an Island." And it goes: "Every man's death affected me, for I am involved in mankind, send not to ask for whom the bell tolls, it tolls for thee." For John Donne, a recommendation of morality. For us, I think, part of the equation for our survival.

18:06
Thank you very much.

18:08
(Applause)







Neil MacGregor - Wikipedia

Neil MacGregor - Wikipedia

Neil MacGregor

From Wikipedia, the free encyclopedia
Neil MacGregor
MacGregor in 2018
Born
Robert Neil MacGregor

16 June 1946 (age 78)
Glasgow, Scotland
EducationThe Glasgow Academy, Scotland
Alma materNew College, Oxford
École Normale Supérieure
University of Edinburgh
Courtauld Institute of Art
Occupation(s)Art historian and museum director

Robert Neil MacGregor OM AO FSA (born 16 June 1946) is a British art historian and former museum director. He was editor of the Burlington Magazine from 1981 to 1987, then Director of the National Gallery, London, from 1987 to 2002, Director of the British Museum from 2003 to 2015,[1] and founding director of the Humboldt Forum in Berlin until 2018.[2]

Biography[edit]

Neil MacGregor was born in Glasgow to two medical doctors, Alexander and Anna MacGregor. He was educated at Glasgow Academy and then read modern languages at New College, Oxford, where he is now an honorary fellow.

The period that followed was spent studying philosophy at the École Normale Supérieure in Paris (coinciding with the events of May 1968), and as a law student at Edinburgh University, where he received the Green Prize. Despite being called to the bar in 1972, MacGregor next decided to take an art history degree. The following year, on a Courtauld Institute (University of London) summer school in Bavaria, the Courtauld's director Anthony Blunt spotted MacGregor and persuaded him to take a master's degree under his supervision.[3] Blunt later considered MacGregor "the most brilliant pupil he ever taught".[4]

From 1975 to 1981, MacGregor taught History of Art and Architecture at the University of Reading. He left to assume the editorship of The Burlington Magazine. He oversaw the transfer of the magazine from the Thomson Corporation to an independent not-for-profit company with charitable status.[5]

Directorship of the National Gallery[edit]

In 1987 MacGregor became director of the National Gallery in London. During his directorship, MacGregor presented three BBC television series on art: Painting the World in 1995, Making Masterpieces, a behind-the-scenes tour of the National Gallery, in 1997 and Seeing Salvation, on the representation of Jesus in western art, in 2000. He declined the offer of a knighthood in 1999, the first director of the National Gallery to do so.[6]

Directorship of the British Museum[edit]

MacGregor in front of a British Museum display on Sutton Hoo in 2010

MacGregor was made director of the British Museum in August 2002, at a time when that institution was £5 million in deficit. He has been lauded for his "diplomatic" approach to the post, though MacGregor rejects this description, stating that "diplomat is conventionally taken to mean the promotion of the interests of a particular state and that is not what we are about at all".[6]

His tenure included exhibitions that were more provocative than the museum had previously shown and some told stories from perspectives that were less Eurocentric than previously, including a project about the Muslim Hajj. He sparked debate with his claim that the ancient Persian empire was greater than Ancient Greece.[7]

In 2010, MacGregor presented a series on BBC Radio 4 and the World Service entitled A History of the World in 100 Objects, based on one hundred artefacts held in the British Museum's collection.[8]

From September 2010 to January 2011 the British Museum lent the ancient Persian Cyrus Cylinder to an exhibition in Tehran, Iran. This was seen by at least a million visitors on the Museum's estimation, more than any loan exhibition to the United Kingdom had attracted since the Treasures of Tutankhamun exhibition in 1972.[9]

Holding tenure when the Acropolis Museum in Athens was completed, MacGregor followed previous Directors in arguing against returning the sculptures from the Parthenon (the "Elgin Marbles") to Greece.[10] A poll in 2014 suggested that more British people (37%) supported the marbles' restoration to Greece than opposed it (23%).[11] MacGregor argued that it is the British Museum's duty to "preserve the universality of the marbles, and to protect them from being appropriated as a nationalistic political symbol",[12] and that "there is no legal system in Europe that would challenge the [British Museum's] legal title" to the works.[13] The legal basis of various Ottoman documents, now lost, to which the British Museum has traditionally appealed in order to claim ownership of the sculptures is disputed.[14][15] Under the directorship of MacGregor, the Museum rejected UNESCO mediation.[16][17]

In January 2008, MacGregor was appointed chairman of the World Collections programme, for training international curators at British museums.[18] The exhibition The First Emperor, focussing on Qin Shi Huang and including a small number of his Terracotta Warriors, was mounted in 2008 in the British Museum Reading Room. That year MacGregor was invited to succeed Philippe de Montebello as the Director of the Metropolitan Museum of Art in New York. He declined the offer as the Metropolitan charges its visitors for entry and is thus "not a public institution".[6]

As of 2015, MacGregor was paid a salary of between £190,000 and £194,999 by the British Museum, making him one of the 328 most highly paid people in the British public sector at that time.[19] MacGregor retired from the post in December 2015 and was succeeded in spring 2016 by Hartwig Fischer, till then the director of the Staatliche Kunstsammlungen Dresden ("Dresden State Art Collections").[20]

Directorship of the Humboldt Forum[edit]

Model of the rebuilt Berlin Palace, home of the Humboldt Forum

On 8 April 2015, MacGregor announced his retirement as Director of the British Museum.[21] It was announced that MacGregor would become founding director and head of the management committee of the Humboldt Forum in Berlin, and that he would make recommendations to the German government on how the future museum could draw on the resources of the Berlin collections to "become a place where different narratives of world cultures can be explored and debated". Archaeologist Hermann Parzinger and art historian Horst Bredekamp were the co-directors of the management committee.[22][23]

One of MacGregor's proposals was to make admission to the museum free of charge, based on the model of the British Museum.[24] In 2018, MacGregor left the post.[2]

Media projects[edit]

MacGregor has made many programmes for British television and radio. In the year 2000, he presented on television Seeing Salvation, about how Jesus had been depicted in famous paintings. More recently, he has made important contributions on BBC Radio 4, including A History of the World in 100 Objects and, in 2012, a series of fifteen-minute programmes after The World at One called Shakespeare's Restless World, discussing themes in the plays of William Shakespeare.[25]

In September 2014 UK domestic transmission started of his similarly formatted series Germany: Memories of a Nation on BBC Radio 4, with a major supporting exhibition at the British Museum. This series did not limit itself to physical objects but places of memory, including for example the forest.[26]

In 2017, MacGregor hosted a BBC Radio Four series Living with the Gods, on expressions of religious faith, liaising with Sabyasachi Mukherjee, Director of the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya in Mumbai, on the presentation of world cultures.[27][28]

At the beginning of 2019, MacGregor presented a programme called "As Others See Us" on BBC Radio Four. This programme looked at how his own country (the United Kingdom) was seen by other countries around the world.

In 2021, he gave a series of lectures at the “Chaire du Louvre” in Paris. The following year, MacGregor presented the BBC Radio 4 series The Museums That Make Us in which he visited local, regional, and city museums throughout the UK.[29]

Personal life[edit]

MacGregor was listed in The Independent's 2007 list of "most influential gay people"[30] and was single as of January 2010.[31]

On 4 November 2010, MacGregor was appointed to the Order of Merit by Queen Elizabeth II.[32] On 25 March 2013 MacGregor was appointed an Honorary Officer of the Order of Australia (AO) by the Governor-General of Australia Quentin Bryce, "for service to promoting Australia and Australian art in the United Kingdom".[33]

In April 2023, MacGregor was one of the 22 personal guests at the ceremony in which former German Chancellor Angela Merkel was decorated with the Grand Cross of the Order of Merit for special achievement by President Frank-Walter Steinmeier at Schloss Bellevue in Berlin.[34]

Awards[edit]

Publications[edit]

See also[edit]

References[edit]

  1. ^ theguardian.com 8 April 2015
  2. Jump up to:a b "Neil MacGregor | Humboldt Forum".
  3. ^ Carter, Miranda (8 November 2001). "Spy who came in from the Courtauld"The Independent. London. Archived from the original on 4 December 2008. Retrieved 12 August 2009.
  4. ^ Adams, Tim (8 June 2003). "His place in history"The Observer. London. Retrieved 18 July 2009.
  5. ^ "(Robert) Neil MacGregor"National Portrait Gallery. Retrieved 6 February 2011.
  6. Jump up to:a b c Campbell-Johnson, Rachel (27 December 2008). "Briton of the Year: Neil MacGregor"The Times. London. Retrieved 18 July 2009.
  7. ^ Jonathan Jones, Neil MacGregor saved the British Museum. It’s time to reinvent it again, the Guardian, 8 April 2015.
  8. ^ "The Story of Humanity Told Through '100 Objects'"PBS NewsHour. [PBS]. 7 November 2011. Archived from the original on 6 May 2012. Retrieved 6 May 2012.
  9. ^ Hoyle, Ben (18 April 2008). "Negotiations over first bill of rights allows access to Ahmedinejad regime"The Times (Syndicated in The Australian). Retrieved 19 April 2011.
  10. ^ "Neil MacGregor: 'There is no possibility of putting the Elgin Marbles back'"The Times. 7 November 2014. Retrieved 20 August 2018.
  11. ^ "British people tend to want Elgin marbles returned"Yougov.co.uk. 18 October 2014. Retrieved 24 June 2018.
  12. ^ Pierce, Andrew (11 May 2009). "Greek government unveils new home for Elgin Marbles"The Daily Telegraph. London. Retrieved 4 November 2014.
  13. ^ Lacayo, Richard (5 November 2007). "A Talk: With Neil MacGregor"Time. Retrieved 4 November 2014.
  14. ^ David Rudenstein (29 May 2000). "Did Elgin Cheat at Marbles?". Nation270 (21): 30. Yet no researcher has ever located this Ottoman document and when l was in Istanbul I searched in vain for it or any copy of it, or any reference to it in other sorts of documents or a description of its substantive terms in any related official papers. Although a document of some sort may have existed, it seems to have vanished into thin air, despite the fact the Ottoman archives contain an enormous number of similar documents from the period.
  15. ^ Professor Vassilis Demetriades. "WAS THE REMOVAL OF THE MARBLES ILLEGAL?"newmentor.net.
  16. ^ "UNESCO sent letter to British Government for the return of Parthenon's Marbles". UNESCO. 4 October 2013. Archived from the original on 19 October 2014.
  17. ^ ... takes note that the United Kingdom has not yet written back to UNESCO (PDF). INTERGOVERNMENTAL COMMITTEE FOR PROMOTING THE RETURN OF CULTURAL PROPERTY TO ITS COUNTRIES OF ORIGIN OR ITS RESTITUTION IN CASE OF ILLICIT APPROPRIATION, 19th session. UNESCO. 1–2 October 2014. p. 5. ICPRCP/14/19.COM/8. Archived from the original (PDF) on 23 November 2014.
  18. ^ "Neil Macgregor to chair 'World collections programme', to share British cultural excellence with Africa and Asia"United Kingdom Government News. 18 January 2008. Archived from the original on 26 July 2011. Retrieved 6 February 2011.
  19. ^ "Senior officials 'high earners' salaries as at 30 September 2015 – GOV.UK"www.gov.uk. 17 December 2015. Retrieved 13 March 2016.
  20. ^ "Hartwig Fischer confirmed as British Museum director"BBC News. 29 September 2015. Retrieved 3 May 2016.
  21. ^ Hili Perlson (8 April 2015). "British Museum Director Neil MacGregor To Step Down at the End of the Year". artnet.com. Retrieved 12 January 2017.
  22. ^ "Founding Directors". Archived from the original on 29 June 2017. Retrieved 13 June 2017.
  23. ^ Knight, Ben; Brown, Mark (10 April 2015). "Appointment of Neil MacGregor as head of Humboldt Forum silences critics"the Guardian. Retrieved 12 January 2017.
  24. ^ Neil MacGregor unveils plans for Berlin’s ambitious Humboldt Forum
  25. ^ "Shakespeare's Restless World"BBC Radio 4. Retrieved 26 July 2012.
  26. ^ Neil MacGregor, BBC Radio 4. "Germany: Memories of a Nation". Retrieved 1 October 2014.
  27. ^ "Neil MacGregor to step down as Director of the British Museum at the end of 2015". British Museum Press Release. 30 May 2015. Retrieved 12 January 2017.
  28. ^ Presenter: Neil MacGregor; Producer: Paul Kobrak (23 October 2017). "The Beginnings of Belief"Living With The Gods. BBC. BBC Radio 4. Retrieved 23 October 2017.
  29. ^ "The Museums That Make Us"BBC Online. Retrieved 11 March 2022.
  30. ^ "The pink list 2007: The IoS annual celebration of the great and the gay"The Independent. London. 6 May 2007. Archived from the original on 7 September 2008.
  31. ^ Susanna Rustin (2 January 2010). "The greatest exhibition you could have | Culture"The Guardian. London. Retrieved 29 May 2011.
  32. ^ Buckingham Palace. "Mr Neil MacGregor appointed to the Order of Merit, 4 November 2010". The Royal Household. Retrieved 4 November 2010.
  33. ^ "Mr Robert Neil MacGREGOR". Australian Government - Department of the Prime Minister and Cabinet - Honours. 15 February 2013. 1147716.
  34. ^ Kati Degenhardt (17 April 2023), Merkels emotionaler Dank: "Er hatte Vieles auszuhalten" T-Online.
  35. ^ Berlin, Berliner Morgenpost- (17 December 2014). "Neil MacGregor erhält Friedrich-Gundolf-Preis"www.morgenpost.de. Retrieved 22 November 2021.
  36. ^ "Nayef Al-Rodhan Prize for Global Cultural Understanding: past winners"The British Academy. Retrieved 22 November 2021.

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