Kojin Karatani - Wikipedia

Kojin Karatani - Wikipedia



Kojin Karatani
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In this Japanese name, the family name is Karatani.

Kojin Karatani

Kojin Karatani lecturing at Loyola University New Orleans, 24 April 2008
Native name
柄谷 行人
Born August 6, 1941 (age 77)

Amagasaki
Nationality Japanese
Alma mater University of Tokyo


Main interests comparative literature
Literary criticism

Influences[show]


Kōjin Karatani (柄谷 行人 Karatani Kōjin, born August 6, 1941, Amagasaki) is a Japanese philosopher and literary critic.[1]


Contents
1Biography
2Philosophy
3Bibliography
4See also
5Notes
6External links
Biography[edit]

Karatani was educated at University of Tokyo, where he received a BA in economics and an MA in English literature. The Gunzō Literary Prize, which he received at the age of 27 for an essay on Natsume Sōseki, was his first critical acclaim as a literary critic. While teaching at Hosei University, Tokyo, he wrote extensively about modernity and postmodernity with a particular focus on language, number, and money, concepts that form the subtitle of one of his central books: Architecture as Metaphor.

In 1975, he was invited to Yale University to teach Japanese literature as a visiting professor, where he met Paul de Man and Fredric Jameson and began to work on formalism. Starting from a study of Natsume Sōseki, the variety of the subjects examined by Karatani became so wide that he earned the nickname The Thinking Machine.[citation needed]

Karatani collaborated with novelist Kenji Nakagami, to whom he introduced the works of Faulkner. With Nakagami, he published Kobayashi Hideo o koete (Overcoming Kobayashi Hideo). The title is an ironic reference to “Kindai no chokoku” (Overcoming Modernity), a symposium held in the summer of 1942 at Kyoto Imperial University (now Kyoto University) at which Hideo Kobayashi (whom Karatani and Nakagami did not hold in great esteem) was a participant.

He was also a regular member of ANY, the international architects' conference that was held annually for the last decade of the 20th century and that also published an architectural/philosophical series with Rizzoli under the general heading of Anyone.

Since 1990, Karatani has been regularly teaching at Columbia University as a visiting professor.

Karatani founded the New Associationist Movement (NAM) in Japan in the summer of 2000.[2] NAM was conceived as a counter–capitalist/nation-state association, inspired by the experiment of LETS (Local Exchange Trading Systems, based on non-marketed currency). He was also the co-editor, with Akira Asada, of the Japanese quarterly journal, Hihyōkūkan (Critical Space), until it ended in 2002.

In 2006, Karatani retired from the chair of the International Center for Human Sciences at Kinki University, Osaka, where he had been teaching.

Philosophy[edit]

Karatani has produced philosophical concepts, such as "the will to architecture", but the best-known of them is probably that of "Transcritique", which he proposed in his book Transcritique, where he reads Kant through Marx and vice versa. Writing about Transcritique in the New Left Review of January–February 2004, Slavoj Žižek brought Karatani's work to greater critical attention. Žižek borrowed the concept of "parallax view" (which is also the title of his review) for the title of his own book.

Karatani has interrogated the possibility of a (de Manian) deconstruction and engaged in a dialogue with Jacques Derrida at the Second International Conference on Humanistic Discourse, organized by the Université de Montréal. Derrida commented on Karatani's paper "Nationalism and Ecriture" with an emphasis on the interpretation of his own concept of écriture.[3]

Bibliography[edit]

In English
Origins of Modern Japanese Literature, Duke University Press, 1993. Translated by Brett de Bary
Architecture as Metaphor; Language, Number, Money MIT Press, 1995. Translated by Sabu Kohso
Transcritique: On Kant and Marx, MIT Press, 2003. Translated by Sabu Kohso
History and Repetition, Columbia University Press, 2011. Translated by Seiji M. Lippit
The Structure of World History : From Modes of Production to Modes of Exchange, Duke University Press, 2014. Translated by Michael K. Bourdaghs
Nation and Aesthetics: On Kant and Freud, Oxford University Press USA, 2017. Translated by Jonathan E. Abel, Hiroki Yoshikuni and Darwin H. Tsen
Isonomia and the Origins of Philosophy, Duke University Press, 2017. Translated by Joseph A. Murphy

In Japanese
畏怖する人間 [Human in Awe], Tōjūsha, 1972
意味という病 [Meaning as Illness], Kawadeshobō, 1975
マルクスその可能性の中心 [Marx: The Center of Possibilities], Kōdansha, 1978
日本近代文学の起源 [Origins of Modern Japanese literature], Kōdansha, 1980
隠喩としての建築 [Architecture as Metaphor], Kōdansha, 1983
内省と遡行 [Introspection and Retrospection], Kōdansha,1984
批評とポストモダン[Postmodernism and Criticism], Fukutake, 1985
探究 1 [Philosophical Inquiry 1], Kōdansha, 1986
言葉と悲劇[Language and Tragedy], Daisanbunmeisha, 1989
探究 2 [Philosophical Inquiry 2], Kōdansha,1989
終焉をめぐって[On the 'End' ], Fukutake, 1990
漱石論集成 [Collected Essays on Sōseki], Daisanbunmeisha, 1992
ヒューモアとしての唯物論 [Materialism as Humor], Chikumashobō, 1993
“戦前”の思考 [Thoughts before the war], Bungeishunjusha, 1994
坂口安吾と中上健次[Sakaguchi Ango and Nakagami Kenji], Ohta Press, 1996
倫理21[Ethics 21], Heibonsha, 2000
可能なるコミュニズム[A Possible Communism],Ohta Press, 2000
トランスクリティーク：カントとマルクス[Transcritique: On Kant and Marx], Hihyōkūkansha, 2001
日本精神分析[Psychoanalysis of Japan or Analysis of Japanese Spirit], Bungeishunjusha, 2002
ネーションと美学 [Nation and Aesthetics], Iwanami Shoten, 2004
歴史と反復[History and Repetition], Iwanami Shoten, 2004
近代文学の終わり[The End of Modern Literature], Inscript, 2005
思想はいかに可能か[How the ideas can be created], Inscript, 2005
世界共和国へ[Toward the World Republic], Iwanami Shoten, 2006
日本精神分析[Psychoanalyzation on Japan and/or Japanese Spirit], Kōdansha, 2007
柄谷行人　政治を語る[Talks on politics], Tosyo Shinbun, 2009
世界史の構造[The Structure of World History], Iwanami Shoten, 2010
"世界史の構造"を読む[Reading "The Structure of World History"], Inscript, 2011
政治と思想 1960-2011[Politics and Thought:1960-2011], Heibonsha, 2012
脱原発とデモ[Denuclearization and Demonstration], Chikuma Shobo, 2012
哲学の起源[The Origin of Philosophy], Iwanami Shoten, 2012
柳田國男論[On Kunio Yanagita], Inscript, 2013
遊動論：柳田国男と山人[On Nomadization : Kunio Yanagita and Sanjin people roving over mountains], Bungeishunjusha, 2014
帝国の構造[The Structure of Empire], Seitosha, 2014
定本 柄谷行人 文学論集[Symposium on Literature], Iwanami Shoten, 2016
憲法の無意識[Unconsciousness of the Constitution of Japan],Iwanami Shoten, 2016

See also[edit]
Fredric Jameson
Arata Isozaki
List of deconstructionists

Notes[edit]

^ "Kojin Karatani at Stanford:Beyond the Trinity of Capital, Nation, and State A Special Series of Events with Japan's Leading Philosopher and Literary Critic at Stanford University, October 8-October 11, 2007". Department of Asian Languages. Stanford University. 2007. Retrieved 21 Mar. 2009. "Archived copy". Archived from the original on 2009-02-11. Retrieved 2009-03-22.
^ Harootunian, Harry. "Out of Japan: The New Associationist Movement". Radical Philosophy. Issue 108 (July/August 2001). Retrieved 21 Mar. 2009. "Archived copy". Archived from the original on 2007-04-16. Retrieved 2008-09-24.
^ Jacques Derrida, Introduction to Kōjin Karatani's "Nationalism and Ecriture"
External links[edit]
Official website
"Japan as Museum"[permanent dead link] by Karatani about Okakura Kakuzo.