Showing posts with label North Korea. Show all posts
Showing posts with label North Korea. Show all posts

2020-03-19

THE KOREAN WAR IN ASIA: A Hidden History | Edited by Tessa Morris-Suzuki | Pacific Affairs

THE KOREAN WAR IN ASIA: A Hidden History | Edited by Tessa Morris-Suzuki | Pacific Affairs

CULTURES OF YUSIN: South Korea in the 1970s | Edited by Youngju Ryu | Pacific Affairs

CULTURES OF YUSIN: South Korea in the 1970s | Edited by Youngju Ryu | Pacific Affairs

NORTH KOREAN GRAPHIC NOVELS: Seduction of the Innocent? | By Martin Petersen | Pacific Affairs



NORTH KOREAN GRAPHIC NOVELS: Seduction of the Innocent? | By Martin Petersen | Pacific Affairs
BOOK REVIEWS, NORTHEAST ASIA


VOLUME 92 – NO. 3




NORTH KOREAN GRAPHIC NOVELS: Seduction of the Innocent? | By Martin Petersen
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Graphic novels (kurimchaek) are a major art form in North Korea, produced by agents of the regime to set out its vision in a range of important areas. This book provides an analysis of North Korean graphic novels, discussing the ideals they promote and the tensions within those ideals, and examining the reception of graphic novels in North Korea and by North Korean refugees in South Korea. 

Particular themes considered include the ideal family and how the regime promotes this; patriotism, and its conflict with class identities; and the portrayal of the Korean War – "The Fatherland Liberation War", as it is known in North Korea – and the subsequent, continuing stand-off. 

Overall, the book demonstrates the importance of graphic novels in North Korea as a tool for bringing up children and for promoting North Korean ideals. In addition, however, the book also shows that although the regime sees the imaginative power of graphic novels as a necessity for effective communication, graphic novels are also viewed with caution in that they exist in everyday social life in ways that the regime may be aware of, and seeks to control, but cannot dominate completely.





































--- Media, Culture and Social Change in Asia Series. London; New York: Routledge [an imprint of Taylor & Francis Group, an informa business], 2019. xv, 306 pp. (Tables, illustrations) US$149.95, cloth. ISBN 978-1-138-04693-1.

As the world tunes into US-DPRK summits, and talks of denuclearization dominate the media, there is still the mundane everyday life that exists in North Korea. 
Martin Petersen’s book North Korean Graphic Novels: Seduction of the Innocent? presents to the English-speaking audience an aspect of everyday culture that has not been dealt with in studies on North Korea. 

Petersen’s research is vast, exhibiting his knowledge and expertise in hundreds of graphic novels. Primarily focusing on graphic novels from the 1990s and 2000s, Petersen contextualizes the historical and political trajectory and the impact it has had on the production of this cultural medium. Although Petersen acknowledges the evident state ideology in graphic novels, he also suggests that artistic expression allows for “ironic readings” to emerge, affirming the diversity of cultural production in North Korea.

North Korean Graphic Novels consists of nine chapters, divided into three parts. 

The first three chapters in part 1 outline the history of the development of graphic novels from the 1960s to the present day and how they reflect the political changes occurring under the leadership of Kim Il Sung and Kim Jong Il. Based on the data in Korean Literature and Art Yearbook, chapters 1 and 2 itemize the publication of graphic novels, revealing their increasing popularity. In chapter 3, Petersen describes how graphic novels are inextricably connected to the deification of the leaders. By analyzing images and discourses in the novels’ frames, he shows the replication of political ideology glorifying the Kim family.

Part 2 is the most theoretical aspect of the book, framed around descriptive analyses of graphic novels of the 1990s and 2000s. 

In chapter 4, Petersen provides three approaches—what he calls meta-authorial reading, ironic reading, and reader-recognizant meta-authorial reading—to understanding graphic novels during the Arduous March in the 1990s, a period that crippled North Korea’s economy due to mismanagement of food, lack of production, and a nation-wide famine. According to Petersen, meta-authorial reading is an “expression of regime intentionality with an inherently partisan mode of meaning,” which is to say that the graphic novels of this period projected Party guidelines and adhered to state ideology (132). Ironic reading, then, is an approach that questions the intentionality of the state and provides open-ended interpretations of graphic novels. Although Petersen tries to demonstrate that graphic novels are not simply iterations of the state ideology and that there are cognitive dissonances, his application of reader-recognizant meta-authorial reading shows how the regime used graphic novels to reinstate power and stability during times of crisis. Petersen’s use of these three approaches is a modality through which we can better understand graphic novels of the 1990s. However, his descriptions of the plot were longer than his critical analysis, leaving the readers to make the connections that Petersen had promised.

Chapter 5 explores a recurring problem of bad family background in North Korean society. The state judges one’s intentions by scrutinizing one’s family background. Petersen argues that the function of graphic novels is to educate the readers to transcend problematic family backgrounds to become more loyal subjects of the state. Of all the chapters in North Korean Graphic Novels, this chapter is by far the most simplistic and uncritical in terms of analyzing the cultural medium. Petersen engages yet again in a descriptive explanation of the plot and falls short of providing critical nuances of a subject matter that is common in North Korean literature. He promises to extrapolate ironic readings that reveal structural problems in the society, but such readings get subsumed in the heavy-handed description of plots.

Conversely, chapters 6 and 7 are the most successful literary interpretations of graphic novels. By examining frames, sequences, artwork, rhetoric, dialogues, and symbolisms, Petersen explicates literary nuances that support the regime and moments that push the limits of artistic expression. Chapter 7, in particular, is the most developed chapter, wherein Petersen restrains from exhaustive descriptions of the plot while presenting a critical understanding of the multimodal production of graphic novels in North Korea. Petersen argues that there is much ambiguity in the interplay between state ideology and entertainment in graphic novels about loyal patriots who cross over to enemy territory to convert South Koreans.

Part 3 consists of chapters 8 and 9, which attempt to examine the consumption of graphic novels by North Koreans. While the cultural medium is primarily intended to educate young readers, Petersen observes that children may steal and read them in secret, potentially misunderstanding the intended message. The impact of such misunderstanding, Petersen argues, is important enough to spur the state to intervene, and educate the parents to emulate the Kim family in raising revolutionary children, which is an extension of the state’s attempt to educate the youth. Chapter 9 valiantly attempts to understand the reception of graphic novels by North Koreans. Interviewing a handful of North Korean refugees, migrants, and defectors living in South Korea, Petersen contextualizes these graphic novels, and situates them in a framework of reader-response theory. It is understandable that the outside world desires to know what North Koreans think about their own cultural medium, regime, and society, particularly because of the enigmatic discourse that shrouds that country. However, as difficult as it is to grasp authorial intent, it is virtually impossible to know how all the citizens of a country read, think, and interpret graphic novels, and insights from a handful of refugees will not provide any critical analyses of graphic novels.

Petersen begins and ends his book with the question of whether graphic novels have the power to seduce youth in North Korea, and demonstrates that they do indeed persuade readers to internalize state ideology. At the same time, he recognizes the seductive inclination of entertainment in graphic novels, creating a space of imagination that goes beyond the intended political message. Petersen displays his expertise in graphic novels and provides a comprehensive understanding of the cultural medium. Petersen’s book, therefore, is an important addition to much-needed scholarship in North Korean studies.

Immanuel Kim

The George Washington University, Washington, DC, USA

Last Revised: November 28, 2019
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학술저널

북한의 그림책 장르인식과 아동 그림책에 나타난 탈이념성

North Korea’s Recognition of the Picture Book Genre and the Anti-Ideology in Children’s Picture Books


최윤정(건국대학교)
한국아동청소년문학학회
아동청소년문학연구
아동청소년문학연구 제23호
2018.12
117 - 149 (33 pages)
KCI등재

DOI : 10.24993/JKLCY.2018.12.23.117

초록


이 논문은 북한의 그림책을 연구대상으로 하여 그림책에 대한 북한의 장르인식을 살피고 아동용 그림책의 특징을 분석하였다. 특히 남북 이질감을 극복하기 위한 방안에서 북한 그림책에 나타난 탈이념성에 주목하였다.
북한 그림책이 가지고 있는 장르의 혼종성은 많은 연구자들에게 혼란을 주고 있지만, 남한식의 개념을 무리하게 대입시키기보다는 그러한 혼종성 자체를 북한 그림책의 특징으로 이해하여야 할 것이다. 특히 1980년~90년 중반에 걸쳐 집중 발간된 북한의 아동용 그림책들은 글과 그림의 관계, 그림의 완성도 측면에서 예술적 관점으로 접근 가능한 텍스트들이다. 이들 텍스트들을 중심으로 그림책 장르에 대한 북한식의 이해를 살펴볼 수 있다. 많은 아동용 그림책들이 북한 사회에서 요구하는 교양덕목을 담아내는 데 일차적인 목적을 두고 있는 것은 분명해 보인다. 그럼에도 불구하고 발견된 탈이념적 성격의 그림책들은 향후 남북관계에 있어 가교역할을 할 수 있다는 측면에서 주목을 요한다.

This study set out to examine North Korea’s perceptions of the picture book genre and analyze the characteristics of picture books for children by examining picture books in North Korea with a special focus on the anti-ideology of North Korean picture books to overcome a sense of difference between North and South Korea.
In North Korean picture books, pictures include cartoons. Since there is no clear distinction between picture books and cartoons in North Korea with regard to the perception of the picture book genre, the researchers are in confusion in the field. The hybridity of the genre itself should, however, be understood as a characteristic of North Korean picture books instead of forcing the South Korean-style concept on North Korea. The North Korean picture books for children whose publication was concentrated from the 1980s to the middle 1990s, in particular, offer texts that can be approached from an artistic perspective in terms of relations between texts and pictures and the completion level of pictures. The present study examined the North Korean-style understanding of a medium of art called picture books with a focus on these texts. It is clear that many picture books for children have a primary goal of conveying the virtues of refinement required by the North Korean society, but the picture books of antiideological nature around “old storybooks with pictures” are worth receiving attention as they will be able to promote the recovery of homogeneity between North and South Korea and serve as a bridge in future relations between two Koreas.
닫기



목차


국문초록
1. 서론
2. 북한 그림책의 성격과 그림책에 대한 장르 인식
3. 아동용 그림책의 특징과 탈이념적 성격의 발견
4 결론
참고문헌
Abstract

























































CULTURES OF YUSIN: South Korea in the 1970s | Edited by Youngju Ryu | Pacific Affairs



CULTURES OF YUSIN: South Korea in the 1970s | Edited by Youngju Ryu | Pacific Affairs



BOOK REVIEWS, NORTHEAST ASIA


VOLUME 93 – NO. 1




CULTURES OF YUSIN: South Korea in the 1970s | Edited by Youngju Ryu


Perspectives on Contemporary Korea. Ann Arbor, MI: University of Michigan Press, 2018. vi, 320 pp. (Table, B&W photos, illustration.) US$34.95, paper. ISBN 978-0-472-05396-4.

Youngju Ryu’s edited volume of essays, Cultures of Yusin: South Korea in the 1970s, is a welcome supplement and counterpoint to earlier recent collections on developmental dictatorship and the Park Chung Hee era (Yi Pyŏngch’ŏn, ed., Kaebal tokchae wa Pak Chŏnghŭi sidae: uri sidae ŭi chŏngch’i-kyŏngjejŏk kiwŏn, Seoul: Ch’angbi, 2003; translated into English as Lee Byeong-cheon, ed., Developmental Dictatorship and the Park Chung-hee Era: The Shaping of Modernity in the Republic of Korea, Paramus: Homa & Sekey, 2006; and Byung-Kook Kim and Ezra F. Vogel, eds., The Park Chung Hee Era: The Transformation of South Korea, Cambridge: Harvard, 2013). The Yusin era (1972–1979), from the promulgation of the Yusin Constitution that formalized Park Chung Hee’s dictatorship, to his assassination by the director of his own apparatus of totalitarianism, the Korean Central Intelligence Agency (KCIA), was a period of profound anti-democracy and rapid industrialization. To borrow Prasenjit Duara’s phrase, the essays in this new collection are attempts at “rescuing history from the nation.” While the collected essays embark from the common acknowledgment of Park Chung Hee’s monolithic Yusin culture as both the constructive and detrimental foundation for contemporary Korea, the authors consciously employ a post-nostalgic perspective after the popular rejection of “Yusin Redux” with the Candlelight Revolution (2016–2017) that ended the presidency of the dictator’s daughter. The plural Cultures of Yusin explores ideas and spaces that were not necessarily oppositional, but informal, peripheral, or alternative to the prescribed Yusin “cultural project of hypernationalization” (12).

Ryu bookends the collection with the observation that Koreans and scholars of Korea are no longer constrained by the Yusin paradigm “that posited development and democracy in largely oppositional terms” (288). She notes the ironic pattern underlying the April Student Revolution (1960) and the June Democratic Uprising (1987) that occurred before and after the Yusin era, that radical progressives did not directly win the support of the masses, but that it was the heavy-handed government reaction against radical progressives that moved the masses, conservative by default, to effectively support the reformers. While relatively absent of violence, there was a similarly ironic pattern behind the recent Candlelight Revolution. Largely as a product of relentless state conditioning, many South Koreans had for decades persistently responded to the dislocation of ambiguity and modernity with an abstract nostalgia for Park Chung Hee and Yusin culture, the illusory certainty of dictatorship and development. Progressives largely failed to discourage such nostalgia, as the “assessment of Park as a ‘great’ president [was] widely shared by both supporters and critics alike” (4). Only when the abstract was made concrete by his daughter’s presidency, did the delusional appeal of Yusin culture self-destruct. In four short years, Park Geun-hye went from riding a popular presidential election victory, to weekly demonstrations of millions of Koreans demanding her resignation and prosecution.

The chapters cover diverse subjects, but two overlapping themes are prevalent, one of literal and metaphorical spaces beyond the reach of the Yusin regime’s coercive social control, and the other, an antagonism of individualism versus national collectivism. Eunhee Park describes the significance of informal kye (rotating credit associations) that never became successfully incorporated into the formal banking system, but grew to ubiquitous popularity, particularly among lower and middle-class women, contributing not only to mass prosperity, but also serving as a lifeline for small and medium size enterprises—all neglected by the Yusin regime’s obsession with big businesses in the “Big Push” for heavy industrialization. Several authors explore imagined spaces previously neglected by scholars of the Yusin era. Irhe Sohn describes “Techniscope action movies,” including popular martial arts “Westerns” set in the hinterlands of colonial Manchuria, of untamed individualism that appealed to lower-class men. Sunyoung Park explores alternate realities in science fiction, and Joan Kee alternate possibilities in performance art. Se-Mi Oh describes the celebrated Yusin architect Kim Swoo-geun’s “Master Plan” for the modern capital which was left incompletely realized because of Park’s anti-communist aesthetic. Han Sang Kim describes how the liberal Western ideal of homeownership, filtered through an emerging “my home” (maihōmu) owning Japanese middle class, into a frustrating Korean fantasy that still generates antiestablishment resentment.

Won Kim describes how even progressive intellectuals who had originally founded journals like Ch’angbi in the 1960s with “pro-Western tendencies” (37) of privileging modernism over tradition, nevertheless succumbed to using the state’s own vocabulary of nationalism in competing with the Yusin state in the 1970s by embracing native progressivism in “national literature” and “sprouts of capitalism” as a consequence of Koreanness becoming constrained by popular anti-colonialism and the illiberal state’s anti-Westernism. There were inherent contradictions that ultimately made Yusin totalitarianism unrealizable no matter how much coercion, torture, and murder was applied. Park was force fitting a Meiji Japanese model of industrial development, social control, and ethnic nationalism, which became necessarily anti-Japanese because Korean sovereignty had to be independent and anti-colonial. Ryu quotes Janet Poole’s description of fascism as “the desire for a kind of capitalism without capitalism… the dream of capitalism without its excesses” (11). Park’s “Korean-style democracy” (Han’guk-sik minjujuŭi) was literally without democracy, the dream of a society without individuals. Serk-bae Suh describes a particularly empowering phenomenon in which subversive writers like Kim Chi-ha and others inverted the common paradigm of Jesus as an omnipotent authority into Jesus as an impotent supplicant in need of human rescue. This form of humanism posited the agency and responsibility for saving the people in the hands of the people and not a higher authority, divine or political.

The essays in this edited volume are nuanced but accessible, and Ryu does an admirable job in bridging a coherence to the different narratives. The authors are relatively young scholars, and there is no doubt there will be more on the subject forthcoming. Meanwhile, this work elevates the critical discourse on Yusin in the sense of rescuing history as a step toward constructive progress.

Tae Yang Kwak

Ramapo College of New Jersey, Mahwah, USA

Last Revised: February 28, 2020

A MISUNDERSTOOD FRIENDSHIP: Mao Zedong, Kim Il-Sung, and Sino-North Korean Relations, 1949–1976 | By Zhihua Shen and Yafeng Xia | Pacific Affairs

A MISUNDERSTOOD FRIENDSHIP: Mao Zedong, Kim Il-Sung, and Sino-North Korean Relations, 1949–1976 | By Zhihua Shen and Yafeng Xia | Pacific Affairs



NORTH KOREAN HUMAN RIGHTS: Activists and Networks | Edited by Andrew Yeo and Danielle Chubb; with a Foreword by The Hon. Michael Kirby AC CMG | Pacific Affairs

NORTH KOREAN HUMAN RIGHTS: Activists and Networks | Edited by Andrew Yeo and Danielle Chubb; with a Foreword by The Hon. Michael Kirby AC CMG | Pacific Affairs

UNVEILING THE NORTH KOREAN ECONOMY: Collapse and Transition | By Byung-Yeon Kim | Pacific Affairs



UNVEILING THE NORTH KOREAN ECONOMY: Collapse and Transition | By Byung-Yeon Kim | Pacific Affairs


BOOK REVIEWS, NORTHEAST ASIA
VOLUME 92 – NO. 2


UNVEILING THE NORTH KOREAN ECONOMY: Collapse and Transition | By Byung-Yeon Kim


Cambridge, UK; New York: Cambridge University Press, 2017. xii, 329 pp. (Tables, graphs.) US$35.99, paper. ISBN 978-1-316-63516-2.


Unveiling the North Korean Economy is divided into three parts: 
  1. a theoretical chapter (6–40) covering socialist economic systems from a general perspective; 
  2. a discussion of some key features of the North Korean economy (41–216); 
  3. and a final part (217–304) devoted to the dynamic aspects of transition. 

Author Byung-Yeon Kim takes the position that effective policies towards North Korea can only be drafted if there is a proper understanding of that country’s economy, and argues that so far the related level of understanding in the international community is inadequate. His book aims to fill that gap.


The first part emphasizes the role and position of firms and households in a socialist economy, which is the central theoretical argument of the book and something that, according to Kim, has so far been mostly neglected by other studies on North Korea’s economy. He discusses the problem of economic statistics and their reliability, drawing on past experience of studying the Soviet Union. Kim reminds his readers of the huge discrepancies between data from various sources despite the relative transparency of the Soviet Union compared to North Korea: “[working with Soviet data] is … like playing with jigsaw puzzles … Working with North Korean data is more like looking for a needle in the haystack” (2). His response to that challenge is the use of accounts of North Korean refugees living in South Korea, and of surveys of Chinese firms that do business with North Korea.


In the second part, Kim explores some specific features of North Korea’s economy. He is highly critical of the leaders’ custom of arbitrary micro management through on-the-spot guidances and concludes that “the North Korean economic system can be characterized as a ‘plan-less’ planned economy” (64). After an extensive critical discussion of Bank of Korea estimates of North Korean GDP data, Kim offers his own, more pessimistic calculations and argues that the GDP of 2013 was only about 80.5 percent of the 1989 value (83). Section 2.3 offers insights from surveys among North Korean refugees conducted in 2009 and 2011. 

The data shows that more North Koreans participate in the informal economy (71.2 percent) than in the official economy (50.6 percent) and that this behaviour does not depend on Party membership, educational background, or location (101). Some of the numbers are striking; an average official monthly salary of 2,171 won (102) contrasts with an average informal monthly income of 172,758 won (104). Furthermore, the surveys explore consumer behaviour. A key finding is that on average, two thirds of all North Koreans identified markets as their main source of procurement of food and consumer goods, and that even in Pyongyang this rate included about half of the population (tables 2.15 and 2.16). This is all the more significant if we consider that the survey was conducted almost a decade ago, and that marketization has meanwhile continued. It also helps explain why there are instances of North Korean leaders calling in speeches for luring consumers back to state-operated stores (Peter Ward, communication with the author).


Turning to the firms, the author identifies three waves of decentralization (1980, 1991, and 2002). In his analysis, the disintegration of the economy into four parts—army, party, cabinet, and regional government—has “virtually destroyed” central planning (126). He shows that almost 60 percent of all North Korean firms allowed some of their staff to work informally and used part of the resulting income for their regular operations in lieu of sufficient funding by the central state. Kim’s survey of 176 firms in Dandong (China) of 2012–2013 confirms anecdotal reports from practitioners. It shows that most of the North Korean partners of these firms were related to either the party or the military, and that these were more productive compared to other types of North Korean business partners because of their access to licenses and permits. An interesting detail is the suggestion that the North Korean trade deficit as it has been reported by organizations such as KOTRA—an unsustainable phenomenon in the long run—could be explained by a commission paid to North Korean exporters by their foreign partners that is not reflected in trade statistics (165).


In the final part of chapter 2, the author discusses the results of a survey on the extent and effects of corruption in North Korea. Among the key findings is that “bribery and informal markets are likely to reinforce each other” (187), and that corruption has remained relatively stable at about nine percent of total household expenditures (199).


The third and final chapter reviews the existing experience of transition and draws policy recommendations for the future of North Korea including privatization as well as price and exchange rate liberalization.


A few critical words are in place regarding formal aspects. The romanization of Korean terms is somewhat odd, for example “Chullima” instead of the widely used Chollima [Ch’ŏllima] or Giubso instead of Kiopso [kiŏpso]. The usual English translation of hyŏnji chido is “on-the-spot guidance”; the author has chosen “Spot Guidance” instead. References are not always complete; for example endnote 27 in chapter 2 (65/205) refers to a Kim Jong-il speech for which only title and date are provided. Given the dynamic development of North Korea and its economy, some of the data used in the book must be regarded as slightly outdated at the time of publication in 2017, such as refugee surveys of 2009 and 2011 which are described as “recent” on page 93. And especially in times when conventional books face increased competition from electronic media, the publisher needs to be asked why the quality of the print is relatively low.


The book is based on continuous research of a senior expert over many years. Its main strengths are the solid theoretical foundation as well as primary data collected through refugee surveys. The critical approach to conventional wisdom, such as BoK data on GDP or trade data, is very welcome and thought provoking.


Unveiling the North Korean Economy is suitable as supplementary reading in graduate courses on North Korea. It takes a closer look at the country from the perspective of firms, households, and the process of transformation. Scholars and students who are already familiar with the structure of the North Korean economy, its resource endowment, and the chronology of its development, will benefit from detailed insights based on surveys among Chinese firms in Dandong and defector surveys conducted in South Korea. An update of these surveys would be most welcome to reflect the changes in North Korea over the last decade.


Rudiger Frank


University of Vienna, Vienna, Austria

ONE KOREA: Visions of Korean unification | Edited by Tae-Hwan Kwak and Seung-Ho Joo | Pacific Affairs

ONE KOREA: Visions of Korean unification | Edited by Tae-Hwan Kwak and Seung-Ho Joo | Pacific Affairs