2026-06-19

김혜순 - 위키백과, 金惠順 Kim Hyesoon

김혜순 - 위키백과, 우리 모두의 백과사전

김혜순

위키백과, 우리 모두의 백과사전.
 다른 뜻에 대해서는 김혜순 (동음이의) 문서를 참고하십시오.
김혜순
작가 정보
출생1955년 10월 26일(70세)
대한민국 경상북도 울진군 울진읍 개학당
국적대한민국
직업작가, 평론가, 교육인
장르시, 문학평론
배우자이강백
자녀이피 (딸)

김혜순(金惠順, 1955년 10월 26일~)은 대한민국의 시인이다. 1979년 시단에 등단했다. 1988년 서울예술대학 문예창작과 교수에 임용되었다. 2019년 6월 6일(현지시간) 시집 《죽음의 자서전》(영문제목 ‘Autobiography of Death’)으로 대한민국 최초로 캐나다 최고 권위의 그리핀 시문학상(Griffin Poetry Prize)을 수상했다.[1]

생애

경상북도 울진에서 태어나 강원대학교 수학하다 건국대학교 국어국문학과 및 동대학원 국어국문학과를 졸업했다.

1978년 《동아일보》 신춘문예 평론 부문에 〈시와 회화의 미학적 교류〉가 입상하여 비평 활동을 시작했고, 1979년 계간 《문학과지성》가을호에 〈담배를 피우는 시인〉외 4편을 발표하면서 등단했다. 1997년 제16회 「김수영문학상」, 2000년 제1회 「현대시작품상」, 제15회 「소월시문학상」, 2006년 제6회 「미당문학상」, 2008년 제16회 「대산문학상」을 수상했다.

2018년 6월 6일 저녁 캐나다 토론토에서 열린 시상식에서 시집 《죽음의 자서전》으로 시집을 영역한 번역가 최돈미와 함께 그리핀 시문학상 인터내셔널 부문상을 수상하여 65,000 캐나다 달러를 상금(저자 40%와 번역자 60%)으로 받았다.[2] 2021년에는 동아시아 출신 시인에게 수여되는 스웨덴의 시문학상인 시카다상을 수상했고, 2022년에는 호암 예술상을 수상했다. 2025년에는 시집 《죽음의 자서전》을 통해 독일 세계문화의집(HKW)에서 수여하는 국제문학상을 수상했다.

학력

경력

  • 1989.03 ~ : 서울예술전문대학 문예창작과 교수
  • 2000.06 ~ : 시전문계간지 포에지 편집위원
  • 2002.12 ~ : 문학계간지 파라21 편집위원

가족

  • 남편: 이강백 (극작가)
  • 자녀: 딸 이피 (예술가, 본명 이휘재)

수상

저서

시집

인용

  • 《또 다른 별에서》
    이 시집 안에 들어 있는 모든 것을 팽개치고 맹렬하게 도망치고 싶은 심정이다. 그리고 아무도 모르는 곳에 가서 새로이 말을 걸고 싶다, 간절한 내용을 담아서.
  • 《아버지가 세운 허수아비》
    진정코 한번 멋드러지게 폭발하고 싶다. 그래서 이 껍질을 벗고 한 줌의 영혼만으로 저 공중 드높이……
  • 《어느 별의 지옥》
    꼴뚜기 같은 내 시들아. 저기 저 어둔 고래를 먹어치우자. 부디.
    • 1997년 판.
      울고 싶으면 어떻게 해야 하나?
      침을 뱉지.
      눈물은 그렇게 다루는 법.
  • 《우리들의 陰畵》
    지난 시절엔 왜 그리도 자주 젊은 시신들이 땅 속에서, 물 속에서 떠오르던지. 나는 그만 죽음에 휘둘려셔. 사인불명의 퉁퉁 불은 시신을 앞에 놓고 우리는 왜 그리 또 손바닥이 붉어지던지.
  • 《나의 우파니샤드, 서울》
    시는 아마 길로 뭉쳐진 내 몸을 찬찬히 풀어,
    다시 그대에게 길 내어주는,
    그런 언술의 길인가보다.
    나는 다시 내 엉킨 몸을 풀어
    그대 발 아래 삼겹 사겹의 길을……
  • 《불쌍한 사랑 기계》
    나는 시라는 운명을 벗어나려는, 그러나 한사코 시 안에 있으려는, 그런 시를 쓸 때가 좋았다. 그 팽팽한 형식적 긴장이 나를 시쓰게 했다.

양수막 속에서 튀어나오려는 태아처럼.
자루에 갇힌 고양이처럼.

  • 《달력 공장 공장장님 보세요》
    그런데 왜 우리는 만날 때마다 태초를 다시 시작하고
    헤어질 때마다 종말의 나날을 견뎌야 하는지
    시와 사랑의 무늬
    그 바깥의 시간들을 나 어찌 다 견디고 살꼬?
  • 《한 잔의 붉은 거울》
    얼음을 담요에 싸안고
    폭염의 거리를 걷는 것처럼
    그렇게 이 시간들을 떨었다.
    한 발짝 내디딜 때마다
    한 줄기 차디찬 핏물이
    신발을 적실 것처럼.

기타

  • 작가론 《김수영》(건국대학교출판부, 1995)
  • 산문집 《들끓는 사랑》(학고재, 1996)
  • 시론집 《여성이 글을 쓴다는 것은 - 연인, 환자, 시인, 그리고 너》(문학동네, 2002)
  • 시산문집 《않아는 이렇게 말했다》(문학동네, 2016)

같이 보기

참고 자료

각주





==

金惠順

出典: フリー百科事典『ウィキペディア（Wikipedia）』
金惠順
生誕1955年10月26日（70歳）[1]
大韓民国の旗 韓国慶尚北道蔚珍
職業詩人
言語韓国語
国籍大韓民国の旗 韓国
教育建国大学校
活動期間1978年 -
ジャンル詩
代表作『私のウパニシャッド、ソウル』
デビュー作「タバコを吸う詩人」
テンプレートを表示
金惠順
各種表記
ハングル：김혜순
漢字：金惠順
発音：キム・ヘスン
英語表記：Kim-Hyesoon
テンプレートを表示

金 惠順 （キム・ヘスン、김혜순、1955年10月26日 - ）は、韓国の詩人である。江原道蔚珍郡（現在は慶尚北道に移管）出身[1]。

略歴

金惠順は慶尚北道の蔚珍で生まれる。ソウルの建国大学校の国文科の大学院を卒業した。現在は、ソウル芸術大学の文芸創作科の教授である。

金惠順の詩は、言語的な実験を通して、独特な詩的イメージを作りながら、女性の存在方式と経験に深く根付いている。女性的な書き方に関心を持っている。

特に、社会の不条理と死という運命に抵抗する詩的方法として激しい言葉とイメージを使ったりしている。現実を否定し、誇張した詩的表現は、言語の弾力性と軽快さを生かすのに役立ている。この詩人は、直接的な詩の言語を通して、いわゆる肉体的な想像力を表している。

受賞歴

主な作品

  • 1981年、『또 다른 별에서』(また、違う星から)[3]
  • 1985年、『아버지가 세운 허수아비』(父が立てた案山子)
  • 1988年、『어느 별의 지옥』(ある星の地獄)
  • 1994年、『나의 우파니샤드, 서울』(私のウパニシャッド、ソウル)
  • 1997年、『불쌍한 사랑기계』(可愛いそうな愛の機械)
  • 2000年、『달력 공장장님 보세요』(カレンダー工場長、見てください)
  • 2004年、『한 잔의 붉은 거울』(一杯の赤い鏡)
  • 2008年、『당신의 첫』(あなたの初)
  • 2016年、『죽음의 자서전』(死の自叙伝)

脚注

  1.   NAVER（韓国語） 2014年閲覧。
  2.  “詩人キム・ヘスンがグリフィン詩賞を受賞 : Korea.net : The official website of the Republic of Korea”. japanese.korea.net. 2021年10月10日閲覧。
  3.  韓国現代文学大辞典 2014年閲覧。

==

Kim Hyesoon

From Wikipedia, the free encyclopedia
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This article is about the South Korean poet. For the Korean-American computer engineer, see Hyesoon Kim.
In this Korean name, the family name is Kim.
Kim Hyesoon
Kim Hyesoon in Berlin (2023).
Kim Hyesoon in Berlin (2023).
BornOctober 26, 1955 (age 70)
Uljin County, North Gyeongsang Province, South Korea
OccupationPoet, professor
GenrePoetry
Literary movementFeminism
Korean name
Hangul
김혜순
Hanja
金惠順
RRGim Hyesun
MRKim Hyesun

Kim Hyesoon[1] (Korean: 김혜순; born 26 October 1955) is a South Korean poet. She was the first woman poet to receive the Kim Su-yeong Literature Award, Midang Literary Award, Contemporary Poetry Award, and Daesan Literary Awards. She has also received the Griffin Poetry Prize (2019), the Cikada Prize, the Samsung Ho-Am Prize in the Arts (2022), U.K Royal Society of Literature International writer (2022), and National Book Critics Circle Award for Poetry, the first foreign poet laureate to win the award. In 2025, she received Internationale Literaturpreis – Haus der Kulturen der Welt for *Autobiographie des Todes*. It was the first time in the award’s history that a poetry collection was honored.[2]

Life

Kim Hyesoon was born in Uljin County, North Gyeongsang Province. She was raised by her grandmother and had tuberculous pleurisy as a child.[3] She received her Ph.D. in Korean literature from Konkuk University[4] and began her career as a poet in 1979 with the publication of the poem "Dead body Smoking a Cigarette" along with four other of her poems in the literary magazine Literature and Intellect (Munhak-kwa Jiseong).[5] Kim Hyesoon is Poet, essayist, and critic. She is one of the most prominent and influential contemporary poets of South Korea. She has published fifteen poetry books and five books on poetics. Kim, who currently lives in Seoul where she teaches creative writing at the Seoul Institute of the Arts. Kim was in the forefront of women published in Literature and Intellect.[6][7]

Work

Kim started to receive critical acclaim in the 1990s. Her own belief is that her work was recognized at that time in no small part because the 1990s in South Korea were noted for a generally strong wave of women poets and women's poetry.

Kim is the recipient of multiple literary prizes including the Kim Su-yeong Literature Award (1996) for her poem "A Poor Love Machine", the Sowol Poetry Prize (2000), and the Midang Literary Award (2006), which are named after three renowned contemporary Korean poets. Kim was the first woman poet to receive the Kim Su-yeong Literature Award, Midang Literary Award, Contemporary Poetry Award, and Daesan Literary Award.[8] More recently she has also received the Lee Hyoung-Gi Literary Award (2019), the Griffin Poetry Prize (2019),[9] the Cikada Prize, the Samsung Ho-Am Prize in the Arts (2022), U.K Royal Society of Literature International writer (2022), and National Book Critics Circle Award for Poetry (2023, she is the first foreign poet laureate who won the award).[10]

Kim Hyesoon was named the T.S. Eliot Memorial Reader at Harvard University Library (2023).[11]

Her poetry collection Phantompain Wings was named poetry book of the year (2023) by the New York Times and Washington Post, The Poetry Society (U.K),[12] among others.[13]

Her poems have been translated into many languages (Swedish, French, German, Polish, Persian, Japanese, Chinese, Spanish, Danish, etc).

Kim's profile appeared in The New Yorker,[14] and her poems have appeared in The New York Times,[15] Guernica,[16] The Paris Review, The Nation,[17] The Poetry Foundation,[18] The Boston Review,[19] The European Review[20] poetryinternationalweb,[21] and Tricycle.[22]

Kim's poetry collections include: From another star (1981), Father's scarecrow (1985), The Hell of a certain star (1987), Our negative picture (1991), My Upanishad, Seoul (1994), A Poor Love Machine (1997), To the Calendar Factory Manager (2000), A Glass of Red Mirror (2004), Your First (2008), Sorrowtoothpaste Mirrorcream (2011), Blossom, Pig (2016), Autobiography of Death (2016), and Wing Phantom Pain (2019). After Earth Dies, who will Moon Orbit? (2022).

Kim has participated in readings at poetry festivals all over the world.

Kim Hyesoon's poetry was used for Jenny Holzer's exhibit at the Korean National Museum of Modern contemporary Art.[23]

Kim's skill as a writer resides in her facility at combining poetic images with experimental language while simultaneously grounding her work in 'feminine writing' drawn from female experiences. Her language is violent and linguistically agile, appropriate for her topics which often center on death and/or injustice. A landmark feminist poet and critic in her native South Korea, Kim Hyesoon's surreal, dagger-sharp poetry has spread from hemisphere to hemisphere in the past ten years, her works translated to Chinese, Swedish, English, French, German, Dutch, Danish and beyond. Kim Hyesoon raises a glass to the reader in the form of a series of riddles, poems conjuring the you inside the me, the night inside the day, the outside inside the inside, the ocean inside the tear. Kim's radical, paradoxical intimacies entail sites of pain as well as wonder, opening onto impossible—which is to say, visionary—vistas. Again and again, in these poems as across her career, Kim unlocks a horizon inside the vanishing point.

The birdlike Kim weaves a pattern of poems, so strangely compelling and curious, and utterly unlike anything I had heard before. —Sasha Dugdale

[24][circular reference]

Works in English

Added to The &NOW Awards 2: The Best Innovative Writing (&NOW Books, 2013)[26]

Works in Korean

  • From Another Star, Munhak kwa chisŏng sa, Seoul, 1981
  • Father's Scarecrow, Munhak kwa chisŏng sa, Seoul, 1985
  • The Hell of a Certain Star, Ch'ŏngha Seoul, 1988. Reprinted by Munhakdongnae, 1997
  • Our Negative Picture, Munhak kwa chisŏng sa, Seoul, 1991
  • My Upanishad, Seoul, Munhak kwa chisŏng sa, Seoul, 1994
  • A Poor Love Machine, Munhak kwa chisŏng sa, Seoul, 1997
  • To the Calendar Factory Manager, Munhak kwa chisŏng sa, Seoul, 2000
  • A Glass of Red Mirror, Munhak kwa chisŏng sa, Seoul, 2004
  • Your First, Munhak kwa chisŏng sa, Seoul, 2008
  • Sorrowtoothpaste Mirrorcream, Munhak kwa chisŏng sa, Seoul 2011
  • Blossom, Pig, Munhak kwa chisŏng sa, Seoul 2016
  • The Autobiography of Death, Munhaksilheomsil, Seoul 2016
  • Phantom Pain of wings, Munhak kwa chisŏng sa, Seoul 2019
  • After Earth Dies, who will Moon Orbit?, Munhak kwa chisŏng sa, Seoul 2022[27]
  • Death Trilogy, Munhak kwa chisŏng sa, Seoul 2025
  • Synchronized Sea Anemone, Nanda, Seoul 2025

Essays

  • To Write as a Woman: Lover, Patient, Poet, and You (Seoul: Munhakdongnae, 2002) - Essay on Poetry
  • Thus Spoke No (Proems) (Seoul: Munhakdongane, 2016)
  • Women, Do Poetry (Seoul: Munhak kwa chisŏng sa, 2017)
  • Do Womananimalasia (Seoul: Munhak kwa chisŏng sa, 2019)
  • Kim Hyesoon's Words (Seoul: Maumsanchaek, 2023, Interview Book)
  • Ventriloquism of the Air (Seoul: Munhak kwa chisŏng sa, 2026)

Interview

Williams, Ruth (2010). ""Female Poet" as Revolutionary Grotesque: Feminist Transgression in the Poetry of Ch'oe Sŭng-ja, Kim Hyesoon, and Yi Yŏn-ju". Tulsa Studies in Women's Literature. 29 (2): 395–415. doi:10.1353/tsw.2010.a461384. JSTOR 41337285. S2CID 161895782. https://www.kln.or.kr/frames/interviewsView.do?bbsIdx=387

Awards

See also

References

  1.  김혜순 | Kim Hyesoon. kimhyesoon (in Korean). Retrieved 2022-07-19.
  2.  "Internationaler Literaturpreis – Haus der Kulturen der Welt". HKW. Retrieved 2025-07-20.
  3.  Williams, Ruth (1 January 2012). "Kim Hyesoon: The Female Grotesque". Guernica.
  4.  "The Arts/Kim Hyesoon 2022 Laureates - HOAM". www.hoamfoundation.org. Retrieved 2022-07-19.
  5.  문학과 지성사.
  6.  "Kim Hyesoon". Modern Poetry in Translation. Retrieved 2022-07-19.
  7.  "Kim Hyesoon". www.poetryinternational.com (in Dutch). Retrieved 2022-07-19.
  8.  "Kim Hyesoon". Poetry Foundation. 2022-07-19. Retrieved 2022-07-19.
  9.  "kim hyesoon Griffin poetry prize prize".
  10.  Alter, Alexandra; Harris, Elizabeth A. (2024-03-22). "Lorrie Moore Is Among National Book Critics Circle Award Winners". The New York Times. ISSN 0362-4331. Retrieved 2024-07-04.
  11.  "Harvard, T.S Eliot Memorial Reading".
  12.  https://poetrysociety.org.uk/news/The poetry-society of England-books-of-the-year-2023/
  13.  https://www.nytimes.com/2023/12/08/books/review/best-poetry-books-2023.html, https://www.washingtonpost.com/books/2023/11/15/best-poetry/
  14.  "kim hyesoon's animal obsession".
  15.  "Kim Hyesoon - Going Going Gone". New York Times. 21 April 2022.
  16.  "Celebrating kim hyesoon". Guernica. 6 July 2023.
  17.  Kim, Hyesoon (June 2021). "kim hyeoon adeverbs fly". The Nation.
  18.  "A kim hyesoon flio". Poetry Foundation. 4 August 2023.
  19.  Kim, Hyesoon; Choi, Don Mee (14 April 2022). "kim hyesoon Smell of Wings". Boston Review.
  20.  "Kim Hyesoon Sugar mouse". European Review.
  21.  "poetryy international Rotterdam".
  22.  Sheffield, Mike (2023-11-11). "Korean Zen". Tricycle: The Buddhist Review. Retrieved 2023-12-13.
  23.  "Jenny Holzer <For You>". Jenny Holzer <For You>. 15 December 2019.
  24.  "Poet Sasha Dugdale".
  25.  "Poet Kim Hye-soon's 'Phantom Pain Wings' published in English". The Korea Times. 2023-05-04. Retrieved 2023-12-13.
  26.  Schneiderman, Davis (2012). The &NOW Awards 2: The Best Innovative Writing. &NOW Books. ISBN 978-0-9823156-4-4.
  27.  Kim, E. Tammy (2023-07-14). "Kim Hyesoon's Animal Obsessions". The New Yorker. ISSN 0028-792X. Retrieved 2023-12-13.
  28.  "The Daesan Foundation".
  29.  "Autobiography of Death by Don Mee Choi, translated from the Korean written by Kim Hyesoon and Quarrels by Eve Joseph Win the 2019 Griffin Poetry Prize". Griffin Poetry Prize. 2019-06-06. Archived from the original on 2020-02-21.
  30.  "kim hyesoon Cikada Prize".
  31.  이인준 (31 May 2022). 32회 삼성호암상…오용근 포스텍 교수 등 6인 수상. Newsis (in Korean). Retrieved 3 June 2022.
  32.  "Royal Society of Literature 2022 International Writers".
  33.  "RSL International Writers". Royal Society of Literature. 3 September 2023. Retrieved December 3, 2023.
  34.  "NATIONAL BOOK CRITICS CIRCLE ANNOUNCES WINNERS FOR PUBLISHING YEAR 2023". National Book Critics Circle. 2024-03-22. Retrieved 2024-07-04.
  35.  "2025 New Member List". American Academy of Arts and Sciences.
  36.  Woo, Jae-yeon (2025-07-18). "Poet Kim Hye-soon wins German literary prize for 'Autobiography of Death'". Yonhap. Retrieved 2025-07-18.
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